发布时间：2020-12-14 热度：
音乐学论文代写技巧_专业高分essay代写要点，专业靠谱作业代写机构。
Dvorak Vocal works and the studies of singing
Dahlhaus, Carl, and J Bradford Robinson. Nineteenth-century music. Berkeley: University of California Press, 1991.
Another interesting book discovered during this first search. The book provided information on the all European composers who lived during the 19th Century. The chronology listing allowed an understanding of how the different composers affected the works of other musicians who came later[Carl Dahlhaus and J Bradford Robinson, Nineteenth-century music, (Berkeley: University of California Press, 1991).].Also, the author Dahlhuas talks about the concepts: contradictions, interrelationships, psychological nuances, and riches of musical character and musical life in the book. Therefore, this source might be used for talking about the music genre and the background of Dvorak.
More page about another’s ideas, and talking this book.
Holland, John Christopher. "Beyond the Silver Moon: Exploring te lost tradition of Dvorak Opera Through a study of myth, music and nationalism." Graduate Program in Music: York University, 2018: 1-244.
https://hdl.handle.net/10315/34990
The Christopher Holland article titled, “Beyond the Silver Moon: Exploring the Lost Tradition of Dvorak Opera’s Through a Study of Myth, Music, and Nationalism” involved an analysis of Dvorak’s vocal works by first studying the issues of nationalism, music,and myths. The dissertation provided information on the common themes, subject, and motives in Dvorak’s musical works. Through the article, I was also able to learn the impact of Czech folklore on the various opera pieces that Dvorak authored[John Christopher Holland, "Beyond the Silver Moon: Exploring te lost tradition of Dvorak's Opera Through a study of myth, music and nationalism." Graduate Program in Music: York University, 2018: 1-244.].
Do my self words
Smaczny, Jan. Dvořák, cello concerto. Cambridge ; New York: Cambridge University Press, 1999. https://catdir.loc.gov/catdir/samples/cam032/98052746.pdf
The last search was conducted through the LIU Library catalogue. When searching for a reputable source, I looked through the entire collection first, and used the keywords “Dvorak Vocal works”. This initial search yielded 32000 sources, which was too many to go through. These search results included books, audio tapes, dissertations,and journal articles. I decided to limit my search to only books and those found within the Brookline LIU library catalogue. The search refinement resulted in me getting access to Jan Smaczny book, “Dvorak, Cello Concerto.” So much of what is known about Dvorak’s work is based on his Czech folklore influence. However, American culture also had a significant influence on Dvorak’s works, especially during the late stages of his life. Reading through the book allowed an understanding of how the American culture influenced Dvorak’s composition during his stay in America. According to Smaczny, the American culture influenced Dvorak’s composition as he composed a concert for an instrument he had previously deemed unworthy for a solo performance[Jan Smaczny, Dvořák, cello concerto, (Cambridge ; New York: Cambridge University Press, 1999), ]. The book also considers the differences that exist between Dvorak's earlier compositions, which were greatly influenced by the European culture, and his American-influenced orchestral music.
