文学赏析论文代写_专业论文代写机构

发布时间：2021-07-20 热度：

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On Contributions to The Rite of Spring
“A Rude Awakening” posted on The Guardian in the year 2013 is a critic of The Rite of Spring given by Philip Hensher, a novelist, critic, and journalist (Hensher). Philip speaks highly of The Rite of Spring which premiered in the year 1913 in Pairs. It is the hard work of Igor Stravinsky, Vaslav Nijinsky, Nicholas Roerich and the commissions of Sergei Diaghilev that made its 1913 premiere in Pairs. To illustrate their individual contributions and collective contributions, the Website Igor Stravinsky: The Rite of Spring is well designed and provides several types of evidence to support its content well.
First, the trust and support of Diaghilev, an art presenter lay the foundation of The Rite of Spring. It is of great importance to state this point in detail. And, it is a fact that Stravinsky is talented, and Diaghilev accepts his talent. As is shown on the website one best example that shows this point is the success of Firebird. It was in December 1909, Diaghilev offered Stravinsky, who finished the ballet music of The Rite of Spring, the commission to compose the ballet music for Firebird in a short period of time (“Igor Stravinsky: The Rite of Spring”). And it is acknowledged that Firebird made a hit as one of three classic works of Stravinsky in his early times. When it comes to the individual contribution, despite some disputes, Diaghilev found a specialist in rhythms to help with The Rite of Spring in December 1912 before its premiere. To make it clear, an old photo is provided. Diaghilev’s work contributed to the premiere of The Rite of Spring in the next year.
Then, it is the talent and striving of Stravinsky that make it possible to compos the excellent ballet music of The Rite of Spring. He got well educated both from his family and Rimsky-Korsakov. To make this clear, some of Stravinsky’s statements are provided as the primary source in 1902. “.Rimsky told me that... I must continue my studies in harmony and counterpoint in order to acquire complete mastery in the schooling craftsmanship...” (“Igor Stravinsky: The Rite of Spring”) . Besides his talent, his striving also plays an essential part in the premiere of The Rite of Spring. Examples are listed on the website that illustrates the process detailed, which are supported by pieces of evidence with reliability such as images, and his memoirs. In November 1912, Stravinsky’s diary recorded “...I finished the music of the Scare...” and at the same time, one photo of his manuscript is available. (“Igor Stravinsky: The Rite of Spring”). From this photo, one can reads that Stravinsky revised it carefully. Also, Stravinsky’s address is cited when stating his participation in the rehearsals of The Rite of Spring in May 1913: “ Gentlemen, you don’t have to laugh. I know what I wrote.” (“Igor Stravinsky: The Rite of Spring”). It means that Stravinsky has to cope with the confusions of the musicians involved in the rehearsals due to the innovations in his music which can not be accepted by peers well. However, Stravinsky’s music is not the only reason that led to plenty of rehearsals, and the dance is the other one.
Roerich designed the scenery stage setting? and costumes. It is critical for the ballet to have a great setting and costume. For The Rite of Spring, Roerich devoted himself to figuring out the bast one. A letter to Stravinsky in November 1912 on the website shows that Roerich designed the set with enthusiasm: “...my intention... is that the first set should transport us to...” (“Igor Stravinsky: The Rite of Spring”). By using such words as: this letter is a first-hand source to illustrate his participation in the ballet and the details of his design in his mind. Besides the set, he also designs the costumes. According to the website, Stravinsky was satisfied with Roerich’s design. “My God, how I like them - they’re a miracle” (“Igor Stravinsky: The Rite of Spring”). The word “miracle” shows that Stravinsky spoke highly of Roerich’s costumes. Also, Roerich participated in the rehearsal of The Rite of Spring before its premiere in Pairs. “Peacekeeper” is a word used to describe his participation in May 1913 by the website.
The dances were composed by Nijinsky. As what says on the website, Nijinsky started work on the choreography of The Rite of Spring. A photo provided shows Nijinsky’s design sketch of his dance. Besides, the first-hand source is provided. In his letter to Stravinsky, he indicated his ideas of his dance, and his confidence as well. “...They will glimpse new colors, new lives. Everything different- new, beautiful” (“Igor Stravinsky: The Rite of Spring”). As the picture shows, the dances are beautiful, and touching at that time.