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发布时间：2020-12-31

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In 1917, the October revolution broke out, and Lenin led the Bolshevik party to overthrow the Czar rule and set up the first socialist country in the world. The victory of the October revolution has created a new era of human history. It has carved out a way for the world's proletarian revolution, colonial and semi colonial national liberation movement. The October revolution declared the whole world a new social system from ideal to reality. For the first time in human history, it eradicates the unequal society of exploitation and oppression and the first attempt to build a fair and just and affluent society. Russia is a unique existence in Europe. It is inherited from Western Europe but independent from Western Europe. Just like the French Revolution ended the classicism and brought about romanticism. Revolution is often accompanied by great changes in all aspects of society, including art and culture, so the October revolution also had an inextricable relationship with Russian Art. Can Russian art become an inspiration and example of contemporary art, to surpass the boundary of the original art and give it more political significance? The 1917 Russian Revolution of October brought about a promise to a new world, which means freedom and liberation. For the art world, it means encouraging all kinds of art forms. As an artist, Kazimir Malevich, like some of the other patriotic artists, was actively involved in the revolution.

White on White白底白字

1878年出生于波兰，1895年进入基辅艺术学院学习绘画。之后，他去莫斯科继续学习，并从绘画和雕塑学校毕业。后来，他从事绘画艺术活动。他创造了一种极其简化的几何抽象绘画风格——至高无上的绘画风格，使最简单的几何形式如十字、圆和正方形达到最高价值（Thomas 2005，1）。马列维奇创造的白底白布是最著名的至上主义风格。这项工作与色调中的两个方块是一致的，而倾斜的小方块只能通过精细的纹理来识别。白色成为光的化身。白色地面上的白色方块太小，无法区分（Malevich，2007年）。它似乎在白炽光的氛围中扩散和再现。它的出版引起了轰动，打破了绘画艺术的思维，重构了绘画艺术的语言。这幅作品几乎没有图像，甚至连白色的正方形都找不到。理论上讲，白底白字包含无限的盒子，但你无法计算它有多少。白色方块的出现是艺术家内心至高无上情感的外在合理化的终极表现，是黑色和红色时期的进一步发展（以斯帖2005，80）。白上白完全摒弃了绘画的语义和描述性元素，摒弃了三度空间的表现。在Malevich的作品中，几何构图是自由的，不受限制地在图片中形成旋转或离心运动。在立体主义和未来主义被宣布为政治变革之前的变革艺术之后，马列维奇还认为，霸权将产生新的驱动力。

Born in Poland in 1878, Kazimir Malevich entered the Art Academy of Kiev in 1895 and studied painting. After that, he went to Moscow to continue his studies, and graduated from painting and sculpture school. Later, he was engaged in painting art activities. He created an extremely simplified geometric abstract painting style -- supremacy, giving the simplest geometric form such as crisscross, circle and square to the highest value (Thomas 2005, 1). White on White created by Malevich is the most famous supremacist style. This work is consistent with the two squares in the hue, and the small tilted squares can only be identified by fine texture. White becomes the incarnation of light. The white square on the white ground is too small to distinguish (Malevich, 2007). It seems to be diffused and reappeared in the atmosphere of incandescent light. Its publication has caused great sensation; it breaks the thinking of painting art and reconstructs the language of painting art. This work is almost no image, and even the white square cannot be found. Theoretically speaking, White on White contains infinite box, but you cannot count how much it is. The emergence of white squares is the ultimate manifestation of the external rationalization of the artist's inner supreme emotion, which is the further development of black and red periods (Esther 2005, 80). The White on White completely abandoned the semantic and descriptive elements of the painting, and abandoned the presentation of the three degree space. In Malevich's works, the geometric composition is free and unrestrained to form a rotating or centrifugal motion in the picture. After cubism and futurism were declared to be the art of change before political change, Malevich also believes that the supremacy will produce a new driving force.